Albums
of the year
2010
I felt it appropriate this year to change the title of my annual best albums post by replacing the word KILL with LIVE. It has the same effect I think, but with a positive slant. At first I thought I wouldn’t be able to do this post at all since, as some of you know, my Mom passed away last month from a 15+ year battle with congestive heart failure. My original intention was for the first time to actually write my own reviews (who would have thought, right?), but the events of the past couple months have had the bulk of my free time. So instead of not abandoning my yearly tradition (when there are so many great albums which must be heard by all of you!), I figured I would do it as I have in years past. To compensate, however, I created a companion playlist you can stream at Grooveshark so that you can effortlessly listen to tracks from this year’s esteemed “winners”! I picked two tracks from each album, which was a tough call as there really aren’t any bad tracks on any of these albums. For the album from Janelle Monáe I picked 3 songs to be fair, as the album is so incredibly long and every track is fantastic. I believe in my heart of hearts these albums would be rewarding for each and every one of you to pick up and listen to, in full, and as loud as possible. These are also in no particular order, except for the first album by Radio Dept, which is without any doubt the best of the year. Enjoy, and drive with aloha …
5
Kristin Hersh
Crooked

“Hersh is known for her expert guitar playing and the gut punch of her lyrics, and both are in sharp relief here. The album’s sonic texture is at the intersection of rock, blues and folk: acoustic guitar is laced with blistering bursts of electric; drums and bass weave in and out of the mix to enhance where needed; and Hersh’s raspy voice veers from world-weary to defiant while delivering lines like “You told me enough times you can’t give me enough rope to hang myself one time, but I can always hope.” There’s emotional truth in each of these 10 tracks, even when the narratives are not straightforward. Either way, it’s exactly what makes Hersh’s music so compelling.” – Frontiers


