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From October 2010 to October 2011 I revisited each film from writer, director, and actor Woody Allen in preparation for 2011 – the 40th anniversary of the release of what is considered by many to be Allen’s first film, Bananas. Of course he did release a few films prior, but it was Bananas that was the first to begin the yearly string of releases that came to be known as the quintessential Woody Allen film.

 

Allen has for years been one of my top five favorite directors, and looking back at his long career (one film per year for 40 years) it’s really quite astounding.  Sure, it’s true that most of the time Allen doesn’t branch out nearly as much as other filmmakers. But there is a particular and familiar universe that he has created and lives in 99% of the time, and it’s a style all his own, a world where he invites you into every year –  to meet new characters, and the stories they have to tell.

 

My reviewing skills are admittedly not very strong, and the famous quote from Truman Capote – “it isn’t writing at all – it’s typing”  – is never more prevalent than with these short reviews, but none the less this was very fun for me to revisit all these movies again over the past months – and exciting to share at least a few of my basic thoughts to the world (ha!) on one of my top five favorite filmmakers. The timing couldn’t be more fitting as well not only because of the 40th anniversary of Bananas, but because that year saw the release, surprisingly enough, of Allen’s biggest financial success in the United States – Midnight in Paris. These are in order of release, beginning with 1971’s Bananas and ending with 2011’s Midnight in Paris.

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Woody Allen
A Ghostlife Retrospective

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The Purple Rose of Cairo

Any movies that are itself a celebration of cinema just hits a real soft spot with me. Mia Farrow plays Cecilia, a woman unhappy in her marriage with her cheating, abusing husband (played by Danny Aiello) and unhappy with where the effects of the Great Depression have led her in life. So to escape the doldrums of her current day-to-day, she goes to the cinema for every new release to get lost in that week’s fantasy. After seeing The Purple Rose of Cairo a few times, her unspoken wishes come true when the lead character on screen (Jeff Daniels) breaks the barrier with real life and jumps out of the screen – bringing himself into Cecilia’s world and helping her escape her real life on a whole different level. Meanwhile back at the theater, the remaning cast members sit around on screen waiting for the return of their lead, and the theater patrons & management are up in arms as to what to do. This is one of those movies where only one word can sum it up: “charming”. Fun movie and one of Allen’s most unique.

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1985

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