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From October 2010 to October 2011 I revisited each film from writer, director, and actor Woody Allen in preparation for 2011 – the 40th anniversary of the release of what is considered by many to be Allen’s first film, Bananas. Of course he did release a few films prior, but it was Bananas that was the first to begin the yearly string of releases that came to be known as the quintessential Woody Allen film.

 

Allen has for years been one of my top five favorite directors, and looking back at his long career (one film per year for 40 years) it’s really quite astounding.  Sure, it’s true that most of the time Allen doesn’t branch out nearly as much as other filmmakers. But there is a particular and familiar universe that he has created and lives in 99% of the time, and it’s a style all his own, a world where he invites you into every year –  to meet new characters, and the stories they have to tell.

 

My reviewing skills are admittedly not very strong, and the famous quote from Truman Capote – “it isn’t writing at all – it’s typing”  – is never more prevalent than with these short reviews, but none the less this was very fun for me to revisit all these movies again over the past months – and exciting to share at least a few of my basic thoughts to the world (ha!) on one of my top five favorite filmmakers. The timing couldn’t be more fitting as well not only because of the 40th anniversary of Bananas, but because that year saw the release, surprisingly enough, of Allen’s biggest financial success in the United States – Midnight in Paris. These are in order of release, beginning with 1971’s Bananas and ending with 2011’s Midnight in Paris.

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Woody Allen
A Ghostlife Retrospective

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Shadows and Fog

This is one of my absolute favorite of Allen’s films. Sadly it’s one that was overlooked at the time of its release and thus it’s now a bit of a forgotten gem.  Beautifully shot in black and white, it appears to take place somewhere in Germany or eastern Europe in the early 1900’s. The main plot revolves a group of vigilantes who have taken to the street to hunt down ‘The Strangler’ who has been killing off locals – and Kleinman (Allen), who is reluctantly drawn into the hunt.  That Allen is able to take such elements as black & white cinematography, eastern Europe and murder so funny and enjoyable is quite a credit to his comedic talent. He balances the dire surroundings with his usual one-liners and physical comedy, and the cast is fantastic.  Kathy Bates, John Cusack, Mia Farrow, Jodie Foster, Julike Kavner, Madonna, John Malkovich, Donald Pleasance, Wallace Shawn, David Ogden Stiers, Lily Tomlin and others.  It’s probably just me, but the mix of atmosphere, Allen’s humor and this cast, it’s fantastic from beginning to end.

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1991

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