From October 2010 to October 2011 I revisited each film from writer, director, and actor Woody Allen in preparation for 2011 – the 40th anniversary of the release of what is considered by many to be Allen’s first film, Bananas. Of course he did release a few films prior, but it was Bananas that was the first to begin the yearly string of releases that came to be known as the quintessential Woody Allen film.
Allen has for years been one of my top five favorite directors, and looking back at his long career (one film per year for 40 years) it’s really quite astounding. Sure, it’s true that most of the time Allen doesn’t branch out nearly as much as other filmmakers. But there is a particular and familiar universe that he has created and lives in 99% of the time, and it’s a style all his own, a world where he invites you into every year – to meet new characters, and the stories they have to tell.
My reviewing skills are admittedly not very strong, and the famous quote from Truman Capote – “it isn’t writing at all – it’s typing” – is never more prevalent than with these short reviews, but none the less this was very fun for me to revisit all these movies again over the past months – and exciting to share at least a few of my basic thoughts to the world (ha!) on one of my top five favorite filmmakers. The timing couldn’t be more fitting as well not only because of the 40th anniversary of Bananas, but because that year saw the release, surprisingly enough, of Allen’s biggest financial success in the United States – Midnight in Paris. These are in order of release, beginning with 1971’s Bananas and ending with 2011’s Midnight in Paris.

Woody Allen
A Ghostlife Retrospective
Don't Drink the Water
Originally a play written by Allen that debuted on Broadway in 1966, it was turned into a film just 3 years after it’s publication with Jackie Gleason in the lead. The results were poor – as seen no more strongly than in the eyes of Allen himself. So 25 years later Allen decided to get the film done right under his direction, this time as a TV movie for ABC and using his usual production crew (DP Carlos diPalma, production designer Santo Loquasto, etc). The plot is simple – Walter Hollander (Allen) and his family somehow end up behind the Iron Curtain for vacation and end up having to seek asylum in the US Embassy, one that is filled with a cast of characters bumbling through the job after the departure of the current ambassador, leaving his son (Michael J. Fox) in charge of the embassy. What sounds like a project that didn’t have much going for it turned out to be one of Allen’s best, specifically because of the hilarious script and fantastic great comedic performances of Allen, Fox, and Julie Kavner. Even Mayim Bialik does a decent job as the Hollander’s recently engaged daughter who falls for the newly minted ambassador during their stay. This is just a really fun screwball comedy, and again if you find Allen’s neurosis and style of one-liners, this is Allen in finest form in all his over-the-top glory. Highly recommended.
A
1994


