From October 2010 to October 2011 I revisited each film from writer, director, and actor Woody Allen in preparation for 2011 – the 40th anniversary of the release of what is considered by many to be Allen’s first film, Bananas. Of course he did release a few films prior, but it was Bananas that was the first to begin the yearly string of releases that came to be known as the quintessential Woody Allen film.
Allen has for years been one of my top five favorite directors, and looking back at his long career (one film per year for 40 years) it’s really quite astounding. Sure, it’s true that most of the time Allen doesn’t branch out nearly as much as other filmmakers. But there is a particular and familiar universe that he has created and lives in 99% of the time, and it’s a style all his own, a world where he invites you into every year – to meet new characters, and the stories they have to tell.
My reviewing skills are admittedly not very strong, and the famous quote from Truman Capote – “it isn’t writing at all – it’s typing” – is never more prevalent than with these short reviews, but none the less this was very fun for me to revisit all these movies again over the past months – and exciting to share at least a few of my basic thoughts to the world (ha!) on one of my top five favorite filmmakers. The timing couldn’t be more fitting as well not only because of the 40th anniversary of Bananas, but because that year saw the release, surprisingly enough, of Allen’s biggest financial success in the United States – Midnight in Paris. These are in order of release, beginning with 1971’s Bananas and ending with 2011’s Midnight in Paris.

Woody Allen
A Ghostlife Retrospective

The Curse of the Jade Scorpion
This movie is insufferable. It’s not a complete wreck – only because in this biased Allen fan’s eyes his mere presence is enough, as he is funny as always. However, with this one it couldn’t be more clear Allen was able to get movies green-lit because of his tremendous track record, and not on a case by case basis. Allen plays an insurance investigator in the year 1940, who finds himself hypnotized by a criminal magician – getting him to steal various jewels. When not hypnotized he is back at his job and investigating the very crimes he unknowingly committed. There are other plot points going on, but it doesn’t really matter all that much. There is just something very very off about this movie that I can’t pinpoint. One that I can, which I think is what kills any chance that this movie had, is its casting. Dan Aykroyd is skin-crawlingly bad in this, one of the worst performances I have seen in any movie. Why he wasn’t fired and replaced when Allen saw the dailies I have no idea, but maybe he just knew this movie had no hope and wanted to just get it done with. Also Helen Hunt – who I am not a fan of to begin with, is piss-poor, completely robotic and just awful. A good match for Aykroyd I guess. Nauseating. I suppose it’s not all bad, Allen IS funny, the 40’s production design is good and it does have Wallace Shawn and Charlize Theron. It might be worth seeing for a laugh (at it, of course), but I would wait until you see ALL his other films first before seeing this. It’s no Plan 9 From Outer Space, but in the Allen universe, this one is lost in space. POW!
D-
2001


