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From October 2010 to October 2011 I revisited each film from writer, director, and actor Woody Allen in preparation for 2011 – the 40th anniversary of the release of what is considered by many to be Allen’s first film, Bananas. Of course he did release a few films prior, but it was Bananas that was the first to begin the yearly string of releases that came to be known as the quintessential Woody Allen film.

 

Allen has for years been one of my top five favorite directors, and looking back at his long career (one film per year for 40 years) it’s really quite astounding.  Sure, it’s true that most of the time Allen doesn’t branch out nearly as much as other filmmakers. But there is a particular and familiar universe that he has created and lives in 99% of the time, and it’s a style all his own, a world where he invites you into every year –  to meet new characters, and the stories they have to tell.

 

My reviewing skills are admittedly not very strong, and the famous quote from Truman Capote – “it isn’t writing at all – it’s typing”  – is never more prevalent than with these short reviews, but none the less this was very fun for me to revisit all these movies again over the past months – and exciting to share at least a few of my basic thoughts to the world (ha!) on one of my top five favorite filmmakers. The timing couldn’t be more fitting as well not only because of the 40th anniversary of Bananas, but because that year saw the release, surprisingly enough, of Allen’s biggest financial success in the United States – Midnight in Paris. These are in order of release, beginning with 1971’s Bananas and ending with 2011’s Midnight in Paris.

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Woody Allen
A Ghostlife Retrospective

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Anything Else

By the time this film came and went, one had to think that Allen may have “finally” lost it completely.  To put it nicely – it’s a complete mess.  First, look at that poster.  It tells you everything you need to know, which is they had to resort to desperate marketing to try to get anyone to his movie – including Allen fans.  Those fans were I believe quite worried when they saw the casting. Some are good in their own right (Stockard Channing, Christina Ricci), but together – with the likes of Jason Biggs and Jimmy Fallon?!  This is the only movie that Allen made where it felt like he was trying to copy himself.  Nothing about it feels “naturally Allen”.  The writing, the acting, everything is trying to live in Woody Allen’s world – but they aren’t even in the tri-state area. Maybe the one redeeming quality is Allen playing a slightly militant character – which is so against his nature that it’s amusing to watch – but it’s too little too late.  Christina Ricci is pretty cute – that’s something!

D

2003

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Thanks, bruh.

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